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Los Apóstoles Felipe Bartolomé y Matías
Historical Context
The Master of the Pacully Collection's Los Apóstoles Felipe Bartolomé y Matías in the Prado depicts three apostles from what was likely a series of panels presenting the full apostolic college — a program common in Spanish late medieval and Renaissance altarpiece decoration. Philip, Bartholomew, and Matthias were three of the less frequently depicted apostles, their appearances based on established iconographic conventions and Golden Legend accounts. The anonymous master, working in the Hispano-Flemish tradition, brings careful attention to the attributes and individual character of each figure, producing panels that served theological completeness while demonstrating portraiture-like differentiation.
Technical Analysis
The three apostles are grouped or shown individually, each identified by his traditional attribute — Philip's cross-staff, Bartholomew's flaying knife, Matthias's axe or book. The master renders each figure with characteristic Hispano-Flemish attention to individual physiognomy. Drapery and attributes are carefully differentiated.
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