
Virgin and Child with the Young Saint John the Baptist
Antonio da Correggio·c. 1515
Historical Context
Correggio painted this Virgin and Child with the Young Saint John the Baptist around 1515, during the formative early phase of his career in Parma. At this stage Correggio was still absorbing the influence of Leonardo da Vinci's sfumato and Mantegna's sculptural modeling, synthesizing them into a personal style of remarkable warmth. The soft, almost melting edges of the figures and the gentle exchange of glances between the Christ Child and young Baptist exemplify his approach to sacred subjects as occasions for emotional intimacy. This treatment of devotional themes directly influenced the next generation of Emilian painters and, through them, the Baroque.
Technical Analysis
Correggio's oil on panel demonstrates his revolutionary approach to light and shadow, with soft, atmospheric modeling that dissolves sharp contours. The warm, golden palette and the tender interaction between the figures create the emotional intimacy that distinguishes his devotional paintings.
Provenance
Baron Nicholas Massias, Paris, by 1815; sold Laneuville and Lacoste, Paris, December 13 or following, 1825 (originally scheduled for December 14, 1824), no. 27, as Bernardo Luini, for Fr 4,000 [according to Landon 1815, p. 17]. Private collection, Germany [statement from Wildenstein and correspondence of John Maxon, The Art Institute of Chicago Archives; Maxon recounted that the Milanese collector cited below bought the picture sometime around the beginning or end of World War II at an unidentified public auction in Germany as Italian, first quarter of the sixteenth century]. Minari collection, Milan [statement of Wildenstein (without reference to collector's name) and Maxon papers, The Art Institute of Chicago]. Wildenstein, New York; sold to the Art Institute, 1965.


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