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Portrait of a Prelate by Girolamo da Carpi

Portrait of a Prelate

Girolamo da Carpi·mid-1500s

Historical Context

This Portrait of a Prelate by Girolamo da Carpi dates from the mid-sixteenth century and reflects the artistic culture of the Emilian school centered on Ferrara and Bologna. Girolamo da Carpi was trained in the tradition of Dosso Dossi and the Ferrarese school, but also absorbed influences from Correggio, Parmigianino, and later from Roman art during his years in the papal city. This portrait of a church official demonstrates the sober dignity expected in ecclesiastical portraiture during the era of the Counter-Reformation, when clerical portraits increasingly emphasized authority and spiritual gravitas.

Technical Analysis

The oil on canvas shows Girolamo da Carpi's accomplished technique in rendering the prelate's vestments and features with the smooth, refined finish characteristic of Emilian portraiture, blending Ferrarese color with the softer modeling of Correggio.

Provenance

By 1946 Italico Brass (Venice, Italy); Alessandro Brass (Venice, Italy), sold to the Cleveland Museum of Art, 1947.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
140.4 × 108 cm
Era
High Renaissance
Style
High Renaissance
Genre
Portrait
Location
Cleveland Museum of Art, Cleveland
View on museum website →

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Saint Luke Drawing the Virgin and Christ Child by Girolamo da Carpi

Saint Luke Drawing the Virgin and Christ Child

Girolamo da Carpi·c. 1535

The Adoration of the Shepherds by Girolamo da Carpi (Girolamo Sellari)

The Adoration of the Shepherds

Girolamo da Carpi (Girolamo Sellari)·ca. 1535–40

The Apparition of the Virgin by Girolamo da Carpi

The Apparition of the Virgin

Girolamo da Carpi·1530/1540

The Holy Family with Two Angels by Girolamo da Carpi

The Holy Family with Two Angels

Girolamo da Carpi·1521

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

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