
The Apparition of the Virgin
Girolamo da Carpi·1530/1540
Historical Context
Girolamo da Carpi's Apparition of the Virgin, painted between 1530 and 1540, shows the influence of Correggio in its soft, atmospheric treatment of a visionary subject. Girolamo, working in Ferrara, was deeply responsive to the sfumato and emotional warmth of Correggio's painting, which he combined with the more eclectic influences of the Ferrarese school. The visionary apparition subject allowed him to explore the boundary between earthly and celestial realms.
Technical Analysis
Girolamo's oil-on-panel technique creates a luminous, atmospheric effect with soft transitions between the earthly and heavenly zones. The Correggesque influence is evident in the gentle sfumato modeling and the warm, golden light that suffuses the visionary scene.
Provenance
Commissioned c. 1530/1540 by Giulia Muzzarelli, Ferrara. possibly Cardinale Luigi d'Este, Tivoli, by 1573 until at least 1580.[1] Borghese collection, Rome, as by Scarsellino.[2] Littlehales, London; (Littlehales sale, Christie's, London, 2 March 1804, no. 67, as by Palma Giovane, bought in). Robert Fagan and Charles Grignion, Rome; (Fagan and Grignion sale, Squibb, London, 29 May 1806, no. 50, as by Carracci, sale postponed from 26 May 1806). Charles John Howard, 17th earl of Suffolk [1804-1876], Charlton Park, Wiltshire, by 1854. (Count Alessandro Contini Bonacossi, Florence and Rome); sold 1937 to the Samuel H. Kress Foundation, New York;[3] gift 1939 to NGA. [1] The painting was possibly removed by Cardinale Luigi d'Este by 1573, or removed and taken to Rome when Ferrara passed to Papacy in 1598, or it may have reverted to the possession of the Muzzarelli family; see Girolamo Baruffaldi, _Vite de' pittori e scultori ferrarese scritte dall'arciprete Girolamo Baruffaldi, con annotazioni_, 2 vols., Ferrara, 1844: 1:385, and Alberto Serafini, _Girolamo da Carpi, pittore e architetto ferrarese (1501-1556)_, Rome, 1915: 136. [2] The painting was possibly given to Scipione Borghese by Battista Muzzarelli c. 1608, and was first recorded in the Borghese collection in a 1693 inventory; see the letter of 6 September 1988 from Burton B. Fredericksen, The Getty Provenance Index, in NGA curatorial files. [3] According to Fern Rusk Shapley, _Catalogue of the Italian Paintings_, 2 vols., Washington, 1979: 1:226. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2070.

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