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Saint Barbara by Jean Bellegambe

Saint Barbara

Jean Bellegambe·c. 1520

Historical Context

Jean Bellegambe, the leading painter of Douai in the early sixteenth century, created this depiction of Saint Barbara around 1520. Barbara was one of the most popular female saints in Northern Europe, venerated as protector against lightning, fire, and sudden death. She is typically shown with her attribute, a tower with three windows symbolizing the Trinity. Bellegambe was known for his altarpieces combining Flemish precision with emerging Renaissance influences from Italy, and this panel likely formed part of a larger polyptych for a church in the Douai region.

Technical Analysis

Painted in oil on panel, the work demonstrates Bellegambe's synthesis of late Gothic Flemish detail with the softer modeling and more monumental figure style filtering north from Italian Renaissance painting, characteristic of transitional Netherlandish art around 1520.

Provenance

Achillito Chiesa, Milan, by 1925; sold, American Art Association, Anderson Galleries, New York, part I, Nov. 27, 1925, no. 42, to Harding; George F. Harding, Jr. (d. 1939), Chicago; bequeathed to the George F. Harding Museum, Chicago; offered for sale, Sotheby’s, New York, Dec. 2, 1976, no. 263, withdrawn; ownership transferred to the AIC, 1982; accessioned, 1983.3

See It In Person

Art Institute of Chicago

Chicago, United States

Gallery: Gallery 202

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
82.3 × 28.1 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Art Institute of Chicago, Chicago
Gallery
Gallery 202
View on museum website →

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Jean Bellegambe·1511–12

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