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Dominican Cycle: Ascension of Christ by Master of the Dominican Cycle

Dominican Cycle: Ascension of Christ

Master of the Dominican Cycle·1512

Historical Context

The Dominican Cycle: Ascension of Christ, painted around 1512 by the Master of the Dominican Cycle and now at the Germanisches Nationalmuseum in Nuremberg, is part of a series of panels depicting events from the life of Christ produced for Dominican use. The Ascension — Christ's departure from earth forty days after his Resurrection, witnessed by his disciples — concluded the period of post-Resurrection appearances and marked the transition to the era of the church. The Master of the Dominican Cycle is an anonymous German painter defined by this series, whose style shows the influence of both Nuremberg and the broader South German painting tradition. The Germanisches Nationalmuseum holds extensive holdings of German Renaissance art.

Technical Analysis

The Ascension composition shows Christ rising above his astonished disciples, with the apostles organized in a semicircular arrangement of upward-gazing figures below. German late Gothic figure types are carefully individualized in their varied expressions of wonder and grief at Christ's departure.

See It In Person

Germanisches Nationalmuseum

Nuremberg, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
111.3 × 114.6 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Germanisches Nationalmuseum, Nuremberg
View on museum website →

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Christus am Ölberg by Master of the Dominican Cycle

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Dominican Cycle: Pentecost

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Dominican Cycle: Jesus before Caiaphas by Master of the Dominican Cycle

Dominican Cycle: Jesus before Caiaphas

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Dominican Cycle: Harrowing of Hell by Master of the Dominican Cycle

Dominican Cycle: Harrowing of Hell

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