Flucht der hll. Cantius, Cantianus und Cantianilla (Innenseite); Christus am Ölberg (Außenseite)

This religious painting from 1510 by Master of the Krainburg Altar reflects the central role of religious painting in the High Renaissance. Master of the Krainburg Altar approaches the subject with characteristic reverence and technical skill, creating an image that would have resonated deeply with contemporary viewers. This was the age of the great papal and princely commissions, when the ambitions of patrons like Julius II and Leo X drove artists to create works of unprecedented scale and complexity.

Tempera technique, reflecting earlier traditions, the religious composition demonstrates Master of the Krainburg Altar's skilled technique and careful observation in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.