
The Banishment of Hagar
Jan Mostaert·1520
Historical Context
Jan Mostaert painted this Banishment of Hagar around 1520, depicting the Old Testament episode in which Abraham sends away his concubine Hagar and their son Ishmael at Sarah's insistence. Mostaert was court painter to Margaret of Austria and one of the most important Flemish painters of his generation, working in the tradition of early Netherlandish painting while absorbing the Renaissance innovations circulating through the Habsburg Netherlands court at Mechelen. The subject was relatively unusual in Flemish painting and demonstrates Mostaert's ability to give psychological depth to Old Testament narrative beyond the standard devotional subjects. The emotional complexity of the scene—Abraham's conflicted expression, Hagar's dignified departure, the mother and child's vulnerability—is rendered with the precise observation of Flemish portraiture applied to narrative painting.
Technical Analysis
The panel shows Mostaert's refined technique with soft atmospheric landscape, careful costume rendering, and the contemplative quality that characterizes his court-trained style.







