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A Woman, traditionally identified as Isabela la Católica of Castile by Michael Sittow

A Woman, traditionally identified as Isabela la Católica of Castile

Michael Sittow·1494

Historical Context

Michael Sittow painted this portrait traditionally identified as Isabella of Castile around 1494. Sittow served as court painter to the Catholic Monarchs of Spain, where his refined Bruges-trained technique was highly valued. Whether or not the sitter is indeed Isabella, the portrait exemplifies the sophisticated court portraiture that Sittow produced for Iberian royal patrons. This work belongs to the High Renaissance, when the innovations of the preceding century were synthesized into works of monumental clarity and ideal beauty.

Technical Analysis

Oil on panel with Sittow's characteristic refinement and subtle flesh tones. The meticulous rendering of costume details and the sitter's composed expression reflect the highest standards of court portraiture.

See It In Person

Yale University Art Gallery

New Haven, United States

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Quick Facts

Medium
Tempera on panel
Era
High Renaissance
Style
High Renaissance
Genre
Portrait
Location
Yale University Art Gallery, New Haven
View on museum website →

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Portrait of Diego de Guevara (?)

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The Assumption of the Virgin by Michael Sittow

The Assumption of the Virgin

Michael Sittow·c. 1500

The Coronation of the Virgin by Michael Sittow

The Coronation of the Virgin

Michael Sittow·1496

Portrait of a Lady by Michael Sittow

Portrait of a Lady

Michael Sittow·1490

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Lucrezia di Lippo di Iacopo Guidi

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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