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The Departure of Saint Florian by Albrecht Altdorfer

The Departure of Saint Florian

Albrecht Altdorfer·1510

Historical Context

Albrecht Altdorfer painted The Departure of Saint Florian around 1510 for the Uffizi, part of the Saint Florian cycle that is among his masterpieces. The scenes from the Austrian patron saint's life allowed Altdorfer to integrate his revolutionary landscape painting with traditional narrative hagiography. The oil medium allowed for rich tonal transitions and glazed layers of color that created luminous depth impossible with the older tempera technique. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.

Technical Analysis

The panel demonstrates Altdorfer's pioneering approach to landscape as an expressive element, with the figures departing through a luminous architectural and natural setting that is as emotionally charged as the narrative action.

See It In Person

Uffizi Gallery

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
76.4 × 67.2 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Uffizi Gallery, Florence
View on museum website →

More by Albrecht Altdorfer

The Rule of Bacchus [left panel] by Albrecht Altdorfer

The Rule of Bacchus [left panel]

Albrecht Altdorfer·c. 1535

The Fall of Man [middle panel] by Albrecht Altdorfer

The Fall of Man [middle panel]

Albrecht Altdorfer·c. 1535

The Rule of Mars [right panel] by Albrecht Altdorfer

The Rule of Mars [right panel]

Albrecht Altdorfer·c. 1535

Nativity by Albrecht Altdorfer

Nativity

Albrecht Altdorfer·1507

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Head of Saint John the Baptist on a Charger

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515