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Plague Altarpiece: Angry God the Father and Virgin Mary by Martin Schaffner

Plague Altarpiece: Angry God the Father and Virgin Mary

Martin Schaffner·1514

Historical Context

Martin Schaffner, the leading painter of Ulm, created this Plague Altarpiece panel showing God the Father's wrath tempered by the Virgin's intercession in 1514. Commissioned during plague outbreaks, such altarpieces served as devotional aids and communal expressions of hope for divine mercy against epidemic disease. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.

Technical Analysis

Schaffner's panel combines monumental figure style with vivid color and dramatic gesture, reflecting Ulm's position between Swabian and Bavarian artistic traditions.

See It In Person

Germanisches Nationalmuseum

Nuremberg, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
167.9 × 49.5 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Germanisches Nationalmuseum, Nuremberg
View on museum website →

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Portrait of a Man by Martin Schaffner

Portrait of a Man

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tabletop of Asymus Stedelin by Martin Schaffner

tabletop of Asymus Stedelin

Martin Schaffner·1533

Abschied Christi von Maria by Martin Schaffner

Abschied Christi von Maria

Martin Schaffner·1507

Wolfgang I. Graf von Oettingen by Martin Schaffner

Wolfgang I. Graf von Oettingen

Martin Schaffner·1508

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515