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Jakobus-Stephanus-Altar: Geißelung Christi by Marx Reichlich

Jakobus-Stephanus-Altar: Geißelung Christi

Marx Reichlich·1506

Historical Context

Marx Reichlich painted this Flagellation of Christ for the Jacob-Stephen Altar in 1506 in Tyrol. The scourging of Christ was one of the most violent scenes in the Passion cycle, testing the artist's ability to convey brutality while maintaining devotional dignity. Reichlich's Tyrolean style combines local traditions with awareness of both German and Italian art. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.

Technical Analysis

Oil on panel with Reichlich's Tyrolean coloring and expressive figure interactions. The violent scene is staged with attention to the physical dynamics of the scourging and the emotional contrast between Christ's patience and his tormentors' aggression.

See It In Person

Bavarian State Painting Collections

Munich, Germany

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Quick Facts

Medium
Tempera on panel
Dimensions
124 × 79.3 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Hl. Rochus by Marx Reichlich

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Hl. Ottilie by Marx Reichlich

Hl. Ottilie

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Hl. Thomas (Innenseite) und hl. Silvester (Außenseite) by Marx Reichlich

Hl. Thomas (Innenseite) und hl. Silvester (Außenseite)

Marx Reichlich·1498

Hl. Erasmus oder hl. Thiemo? (Innenseite) und hl. Bischof (Martin?) (Außenseite) by Marx Reichlich

Hl. Erasmus oder hl. Thiemo? (Innenseite) und hl. Bischof (Martin?) (Außenseite)

Marx Reichlich·1498

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