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Johannes d. Täufer by Aelbrecht Bouts

Johannes d. Täufer

Aelbrecht Bouts·1490

Historical Context

Johannes d. Täufer (John the Baptist) at the Kunsthistorisches Museum in Vienna, attributed to Aelbrecht Bouts and painted around 1490, shows the saint who announced Christ's coming — identifiable by his attribute of the lamb and his characteristic rough garment of camel's hair. The Kunsthistorisches Museum holds one of the world's great collections of early Flemish painting, and this Bouts panel sits within a tradition of saint's images produced for altarpieces and devotional panels throughout the Low Countries. John the Baptist, as the bridge between the Old and New Testaments, was among the most frequently represented saints in Flemish religious art.

Technical Analysis

The rendering of John's rough camel-hair garment presented Bouts with an opportunity to demonstrate the Flemish technical capacity for representing different material textures. The contrast between the coarse, dark garment and the delicate lamb resting beside him is a standard compositional element handled here with careful differentiation of surface qualities.

See It In Person

Kunsthistorisches Museum

Vienna, Austria

Visit museum website →

Quick Facts

Medium
Oil on panel
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Kunsthistorisches Museum, Vienna
View on museum website →

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The Adoration of the Shepherds by Aelbrecht Bouts

The Adoration of the Shepherds

Aelbrecht Bouts·1494

Mater Dolorosa by Aelbrecht Bouts

Mater Dolorosa

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Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

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Lucrezia di Lippo di Iacopo Guidi

Andrea del Sarto·1525–28

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515