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The Adoration of the Kings by Girolamo da Treviso the Younger

The Adoration of the Kings

Girolamo da Treviso the Younger·1520

Historical Context

Girolamo da Treviso the Younger was a versatile Italian painter who moved between Treviso, Bologna, and eventually England, where he died in 1544 serving Henry VIII. This Adoration of the Kings, painted around 1520 and now in the National Gallery in London, reflects the cosmopolitan trajectory of his career. The Adoration of the Magi was among the most compositionally ambitious subjects in Renaissance religious painting, requiring the artist to orchestrate a large crowd of figures, exotic animals, architectural settings, and the focal event of homage to the infant Christ. The work filters the tradition running from Gentile da Fabriano through Leonardo through a northern Italian sensibility.

Technical Analysis

Girolamo organizes the procession of Magi and their retinue across a broad foreground, with the Holy Family providing a stable vertical anchor. The palette is rich with exotic colours — deep purples, gold, and warm earth tones — and figures show varied physiognomy and costume.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
144.2 × 125.7 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

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Isaac blesses Jacob by Girolamo da Treviso the Younger

Isaac blesses Jacob

Girolamo da Treviso the Younger·1520

Christ and the Woman of Samaria by Girolamo da Treviso the Younger

Christ and the Woman of Samaria

Girolamo da Treviso the Younger·1525

Allegorische weibliche Figur by Girolamo da Treviso the Younger

Allegorische weibliche Figur

Girolamo da Treviso the Younger·1525

Descent into hell by Girolamo da Treviso the Younger

Descent into hell

Girolamo da Treviso the Younger·1521

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