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Portrait of the Artist Holding a Thistle by Albrecht Dürer

Portrait of the Artist Holding a Thistle

Albrecht Dürer·1493

Historical Context

Dürer's self-portrait holding a thistle, painted in 1493 at age twenty-one while completing his Wanderjahre journeys in the Rhineland, is his earliest surviving painted self-portrait and one of the most significant self-portraits in Western art. The thistle he holds was associated in German tradition with fidelity — its German name 'Mannstreu' means 'man's loyalty' — and may refer to his forthcoming marriage to Agnes Frey, arranged by his father during his absence. The inscription 'my sach die gat / Als es oben schtat' ('My affairs will go / As ordained from above') expresses Lutheran-adjacent providential thinking at a moment before the Reformation existed. Dürer would transform the painted self-portrait from workshop tool into an art form.

Technical Analysis

The youthful self-portrait shows Dürer's early mastery of oil technique with precise rendering of the curling hair, the thistle, and the fashionable clothing, combining self-observation with the careful craftsmanship of his Nuremberg training.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on parchment
Dimensions
56.5 × 44.5 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Virgin and Child by Albrecht Dürer

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Virgin and Child with Saint Anne by Albrecht Dürer

Virgin and Child with Saint Anne

Albrecht Dürer·probably 1519

Madonna and Child [obverse] by Albrecht Dürer

Madonna and Child [obverse]

Albrecht Dürer·c. 1496/1499

Lot and His Daughters [reverse] by Albrecht Dürer

Lot and His Daughters [reverse]

Albrecht Dürer·c. 1496/1499

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