
King Solomon Receiving the Queen of Sheba
Historical Context
The Master of the Antwerp Adoration painted this King Solomon Receiving the Queen of Sheba around 1517 for the Art Institute of Chicago. The Old Testament encounter was interpreted as a prefiguration of the Adoration of the Magi and was popular among Antwerp painters for its opportunities to depict exotic costumes and architectural splendor. The oil medium allowed for rich tonal transitions and glazed layers of color that created luminous depth impossible with the older tempera technique. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.
Technical Analysis
The panel demonstrates the elaborate decorative style of the Antwerp Mannerists with richly detailed architectural settings, sumptuous costumes, and the ornamental profusion that characterized the early-sixteenth-century Antwerp school.
See It In Person
More by Master of the Antwerp Adoration
_en_de_Annunciatie_(buitenzijde)_-_NK2601-A-_Cultural_Heritage_Agency_of_the_Netherlands_Art_Collection.jpg&width=600)
The presentation in the temple (inside) and the annunciation (outside)
Master of the Antwerp Adoration·1509
_en_de_Annunciatie_(buitenzijde)_-_NK2601-A-_Cultural_Heritage_Agency_of_the_Netherlands_Art_Collection.jpg&width=600)
The adoration of the shepherds (inside) and the annunciation (outside)
Master of the Antwerp Adoration·1509

The adoration of the magi
Master of the Antwerp Adoration·1515

The lamentation over the dead Christ
Master of the Antwerp Adoration·1507



