
The Entry Into Jerusalem
Bernhard Strigel·1500
Historical Context
Bernhard Strigel painted this Entry into Jerusalem around 1500 as part of his Walters Art Museum Passion cycle. Christ's triumphal entry on Palm Sunday marks the beginning of the Passion narrative. Strigel depicted the scene with the townspeople laying garments and palms before the donkey, following the Gospel accounts. The oil medium allowed for rich tonal transitions and glazed layers of color that created luminous depth impossible with the older tempera technique. The Northern Renaissance tradition that shaped this work prized meticulous surface observation, emotional directness, and the symbolic integration of everyday objects into sacred narratives.
Technical Analysis
Oil on panel with Strigel's bright Swabian palette and clear narrative staging. The city gate and crowd of onlookers are rendered with descriptive detail within a compact compositional format.

![Hans Roth [obverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_Bildnis_Hans_Rott_1527.jpg&width=600)
![Hans Roth [reverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_-_Hans_Roth_(reverse)_-_1947.6.4.b_-_National_Gallery_of_Art.jpg&width=600)
![Margarethe Vöhlin [obverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_Bildnis_Margarethe_Rott_geb_V%C3%B6hlin_1527.jpg&width=600)



