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Madonna Litta by Leonardo da Vinci

Madonna Litta

Leonardo da Vinci·1490

Historical Context

The Madonna Litta, attributed to Leonardo da Vinci and his workshop (painted around 1490, now in the Hermitage Museum), shows the Virgin nursing the Christ Child against a dark interior with two arched windows revealing a mountain landscape. The attribution has been debated for centuries—some scholars see it as largely by Giovanni Antonio Boltraffio or another Leonardo pupil, while others credit Leonardo with the design and key passages. The Madonna's idealized beauty reflects Leonardo's mature conception of feminine grace.

Technical Analysis

The painting demonstrates Leonardo's sfumato technique in the softly modeled faces, with the characteristic dark interior and distant blue landscape creating atmospheric depth, though the execution may be partly by a talented workshop assistant.

See It In Person

Hermitage Museum

Saint Petersburg, Russia

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
42 × 33 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Hermitage Museum, Saint Petersburg
View on museum website →

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Ginevra de' Benci [obverse] by Leonardo da Vinci

Ginevra de' Benci [obverse]

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Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse] by Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse]

Leonardo da Vinci·c. 1474/1478

More from the High Renaissance Period

Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515