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retable Requin by Enguerrand Quarton

retable Requin

Enguerrand Quarton·1445

Historical Context

Enguerrand Quarton created this work around 1445, now in the Calvet Museum. The painting reflects the artistic culture of the Early Renaissance, when European painters were developing increasingly naturalistic approaches to representation through the study of perspective and natural observation. The period witnessed unprecedented artistic innovation across Europe, with workshops competing to develop new techniques for capturing the visible world.

Technical Analysis

The careful construction of form through layered tempera application reveals thorough workshop training, with the artist demonstrating command of both figural modeling and spatial arrangement.

See It In Person

Calvet Museum

Avignon, France

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Quick Facts

Medium
Oil on panel
Dimensions
149 × 208 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Calvet Museum, Avignon
View on museum website →

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Pietà of Villeneuve-lès-Avignon by Enguerrand Quarton

Pietà of Villeneuve-lès-Avignon

Enguerrand Quarton·1455

Coronation of the Virgin, altar of the Charterhouse of Villeneuve-lès-Avignon. by Enguerrand Quarton

Coronation of the Virgin, altar of the Charterhouse of Villeneuve-lès-Avignon.

Enguerrand Quarton·1454

Saint Robert of Molesmes by Enguerrand Quarton

Saint Robert of Molesmes

Enguerrand Quarton·1440

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

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Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450