
Pietà
Cosimo Tura·1475/1500
Historical Context
Cosimo Tura was the founding master of the Ferrarese school and served as court painter to the Este dynasty in Ferrara for over two decades. His Pietà compositions rank among the most emotionally intense devotional works of the Italian Renaissance, distinguished by angular, almost metallic drapery folds and faces contorted with grief. The Ferrarese court's taste for dramatic, courtly art shaped Tura's distinctive manner, which combined influences from Mantegna's sculptural rigor with the jewel-like color of Flemish painting. This work preserves the expressive power and technical refinement that made Tura the dominant artistic personality of a regional school that would shape later Emilian painting.
Technical Analysis
The tempera on panel reproduces Tura's characteristically angular, crystalline forms and the emotionally charged treatment of the Pietà subject. The sharp, almost sculptural rendering of drapery and the intense facial expressions reflect the distinctive Ferrarese approach to religious painting.
Provenance
Paul Delaroff (died 1913), St. Petersburg, to 1913 [see a red wax seal on the back of the panel that reads “Collection Paul Delaroff/1914]; his estate sale, Galerie Georges Petit, Paris, April 23–24, 1914, no. 233, as Cosimo Tura. Kleinberger, New York, by 1923; sold to Martin A. Ryerson (died 1932), Chicago, 1923 [see invoice from Kleinberger to Ryerson dated June 22, 1923, Archives, Art Institute]; on loan to the Art Institute from 1923; bequeathed to the Art Institute, 1933.
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