Marie d’Acigné (1502–1558), Madame de Canaples

Jean Clouet created this work around 1525 during the High Renaissance period. The painting reflects the artistic traditions and cultural preoccupations of its time and place of origin. The painting is in the Scottish National Gallery. Tempera on panel required careful preparation and a disciplined technique of hatched brushwork to build form and color — a demanding medium that rewarded the methodical workshop training standard in Renaissance painting practice.

The painting demonstrates the technical conventions and artistic vocabulary of the period, with attention to composition, color, and the rendering of form appropriate to the subject.