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Man of Sorrows (Tzafouris) by Nikolaos Tzafouris

Man of Sorrows (Tzafouris)

Nikolaos Tzafouris·1500

Historical Context

Nikolaos Tzafouris's Man of Sorrows, painted around 1500 and now in the Byzantine and Christian Museum in Athens, represents the Imago Pietatis — the image of the suffering Christ rising from the tomb, displaying his wounds — in the hybrid Byzantine-Western style that was Tzafouris's specialty. The Byzantine and Christian Museum in Athens provides an ideal institutional context for this work, which bridges the Greek Orthodox icon tradition and Western devotional image culture. This type of image originated in Rome but was quickly adopted throughout Europe and the Byzantine world, becoming one of the most universally reproduced devotional subjects of the late medieval period. Tzafouris produced numerous versions of the Man of Sorrows that circulated as portable devotional objects.

Technical Analysis

The frontal Christ figure rises from the tomb, displaying the wounds of the Passion. Byzantine elongation and gold ground are combined with Western descriptive naturalism in the wounds and the sorrowful facial expression. The paint surface is meticulous and dense in the icon tradition.

See It In Person

Byzantine and Christian Museum

Athens, Greece

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
43.8 × 32.7 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Byzantine and Christian Museum, Athens
View on museum website →

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Christ Bearing the Cross by Nikolaos Tzafouris

Christ Bearing the Cross

Nikolaos Tzafouris·1494

Madre della Consolazione by Nikolaos Tzafouris

Madre della Consolazione

Nikolaos Tzafouris·1490

Entombment of Christ with John and Mary by Nikolaos Tzafouris

Entombment of Christ with John and Mary

Nikolaos Tzafouris·1500

Christ de Pitié by Nikolaos Tzafouris

Christ de Pitié

Nikolaos Tzafouris·1500

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