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Virgin and Child Enthroned by Girolamo da Santacroce

Virgin and Child Enthroned

Girolamo da Santacroce·1516

Historical Context

Girolamo da Santacroce was a Venetian painter active in the early sixteenth century who worked in the tradition of Giovanni Bellini and his school. This 1516 Virgin and Child Enthroned exemplifies the sacra conversazione format popularized by Bellini, showing the Madonna in a formal, symmetrical arrangement. The work's transfer from panel to canvas indicates later conservation treatment to preserve the painting.

Technical Analysis

The tempera and oil technique combines the precision of earlier Venetian painting with the warmer tonality of the early cinquecento. The enthroned composition uses balanced symmetry and gentle modeling to create a serene devotional image.

Provenance

James Kerr-Lawson, Florence, by 1910; sold by Kerr-Lawson to Martin A. Ryerson (died 1932), Chicago, 1910 [see letter from Kerr-Lawson to Ryerson dated May 10, 1910 and invoice dated June 14, 1910, in curatorial files]; on loan to the Art Institute from 1923 [according to registrar’s records]; bequeathed to the Art Institute, 1933.

See It In Person

Art Institute of Chicago

Chicago, United States

Visit museum website →

Quick Facts

Medium
Tempera and oil (?) on panel, transferred to canvas
Dimensions
86.9 × 44.7 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Art Institute of Chicago, Chicago
View on museum website →

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The Virgin and Child with Saint Stephen and Saint Lawrence by Girolamo da Santacroce

The Virgin and Child with Saint Stephen and Saint Lawrence

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A Youthful Saint Reading by Girolamo da Santacroce

A Youthful Saint Reading

Girolamo da Santacroce·1518

A Saint with a Fortress and a Banner by Girolamo da Santacroce

A Saint with a Fortress and a Banner

Girolamo da Santacroce·1518

The Adoration of the Three Kings by Girolamo da Santacroce

The Adoration of the Three Kings

Girolamo da Santacroce·1527

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