
Virgin and Child Enthroned
Historical Context
Girolamo da Santacroce was a Venetian painter active in the early sixteenth century who worked in the tradition of Giovanni Bellini and his school. This 1516 Virgin and Child Enthroned exemplifies the sacra conversazione format popularized by Bellini, showing the Madonna in a formal, symmetrical arrangement. The work's transfer from panel to canvas indicates later conservation treatment to preserve the painting.
Technical Analysis
The tempera and oil technique combines the precision of earlier Venetian painting with the warmer tonality of the early cinquecento. The enthroned composition uses balanced symmetry and gentle modeling to create a serene devotional image.
Provenance
James Kerr-Lawson, Florence, by 1910; sold by Kerr-Lawson to Martin A. Ryerson (died 1932), Chicago, 1910 [see letter from Kerr-Lawson to Ryerson dated May 10, 1910 and invoice dated June 14, 1910, in curatorial files]; on loan to the Art Institute from 1923 [according to registrar’s records]; bequeathed to the Art Institute, 1933.
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