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Mater Dolorosa (Sorrowing Virgin)
Dieric Bouts·c. 1490
Historical Context
This Mater Dolorosa from the workshop of Dieric Bouts was painted around 1490, reproducing one of the most influential devotional compositions of the Early Netherlandish school. Bouts's original Sorrowing Virgin, paired with an Ecce Homo, established a devotional diptych format that was endlessly copied for over a century. The widespread reproduction of this composition testifies to the powerful emotional impact of Bouts's restrained, deeply felt interpretation of the Virgin's grief.
Technical Analysis
The oil on panel faithfully reproduces Bouts's distinctive approach to devotional painting — the restrained emotion expressed through subtle facial modeling, the pale flesh tones, and the deep blue of the Virgin's mantle against a plain background that eliminates all distraction from the devotional contemplation of grief.
Provenance
Williams, Paris, possibly by 1871 until 1889 [according to the catalogue of the Spiridon sale; the claim that Williams owned it in 1871, made in Brussels 1935 and Paris 1935, cannot be verified]; sold to Joseph Spiridon, Paris, 1889; sold, Cassirer and Helbing, Berlin, May 31, 1929, no. 71, as workshop of Dieric Bouts, to Baron Joseph van der Elst (d. 1971), Brussels and numerous diplomatic posts; by descent to his son, François van der Elst; on loan to the Cleveland Museum of Art, June 1978–Oct. 1980 [dates of the loan supplied by Mary Suzor, Registrar at the Cleveland Museum of Art]; sold to the Art Institute through Richard Collins as agent, 1986.


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