
The Beheading of Saint John the Baptist
Master of Palanquinos·c. 1490–c. 1500
Historical Context
The Master of Palanquinos painted this Beheading of Saint John the Baptist around 1490-1500, a dramatic martyrdom scene from the Hispano-Flemish tradition. This anonymous master, named after retables in the church of Palanquinos in León, represents the distinctive Spanish synthesis of Netherlandish oil technique with local devotional intensity. His work serves the Counter-Reformation emphasis on martyrdom as a model of Christian sacrifice.
Technical Analysis
The tempera and oil on panel demonstrate the Hispano-Flemish technique combining Netherlandish precision in the faces and costumes with the emotional intensity characteristic of Spanish religious art. The graphic depiction of the martyrdom reflects the Spanish taste for visceral religious imagery.
Provenance
George F. Harding, Jr. (died 1939), Chicago; bequeathed to the George F. Harding Museum, Chicago; offered for sale, Sotheby’s, New York, December 2, 1976, lot 240 (ill.), withdrawn; transferred to the Art Institute, 1984.

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