
The Adoration of the Christ Child
Jacob Cornelisz. van Oostsanen·c. 1515
Historical Context
Jacob Cornelisz. van Oostsanen painted The Adoration of the Christ Child around 1515, reflecting the devotional art of early sixteenth-century Amsterdam. Van Oostsanen was the leading painter of Amsterdam before the rise of the Mannerists, and his work combines traditional Netherlandish religious imagery with emerging Renaissance influences from Italy and Germany. He was a teacher of Jan van Scorel, the artist who would fully introduce the Italian Renaissance to the Netherlands.
Technical Analysis
The oil on panel demonstrates Van Oostsanen's characteristic detailed, decorative style with careful rendering of the landscape setting and the elaborate costumes of the worshippers. The composition blends traditional Netherlandish devotional formats with the more expansive landscape backgrounds that reflect emerging Renaissance spatial awareness.
Provenance
Spanish Art Gallery, London, by 1914 to at least 1916 [Steinbart 1922, p. 72; and Conway 1921]. Dr. John E. Stillwell, New York, by 1922[Steinbart 1922, p. 72]; sold, American Art Association, Anderson Galleries, New York, Dec. 1–3, 1927, no. 217, to Clapp and Graham as agent for Harding, for $10,250 [Art News 1927, p. 12]; George F. Harding, Jr. (d. 1939), Chicago; bequeathed to the George F. Harding Museum, Chicago; offered for sale, Sotheby’s, New York, Dec. 2, 1976, no. 210, withdrawn; ownership transferred to the Art Institute, 1982; accessioned, 1983.
See It In Person
More by Jacob Cornelisz. van Oostsanen

The Virgin and Saint John the Evangelist
Jacob Cornelisz. van Oostsanen·c. 1520

The Adoration of the Magi
Jacob Cornelisz van Oostsanen·1517

The Crucifixion
Jacob Cornelisz van Oostsanen·1508
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The donors Korsgen Elbertzen, his sons Dirck and Albert on left half, with female donors on the right
Jacob Cornelisz van Oostsanen·1509



