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Christ as Salvator Mundi by Gherardo Starnina

Christ as Salvator Mundi

Gherardo Starnina·1405

Historical Context

Gherardo Starnina's Christ as Salvator Mundi at the Stadel Museum, painted around 1405, presents the iconic image of Christ as Savior of the World. Starnina's treatment combines the Florentine naturalistic tradition with the decorative elegance he absorbed during his years in Spain Egg tempera on panel was the dominant technique of the period, demanding careful layer-by-layer construction and patient craftsmanship The work is now in the collection of Städel Museum.

Technical Analysis

The frontal Christ figure is rendered in Starnina's blend of International Gothic refinement and Florentine naturalism, the blessing hand and orb painted with the precise tempera technique of the period.

See It In Person

Städel Museum

Frankfurt, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
85.5 × 36.6 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Städel Museum, Frankfurt
View on museum website →

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Madonna and child by Gherardo Starnina

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Two Evangelists by Gherardo Starnina

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Two Seated Angels Making Music by Gherardo Starnina

Two Seated Angels Making Music

Gherardo Starnina·1400

Dormition of the Virgin by Gherardo Starnina

Dormition of the Virgin

Gherardo Starnina·1408

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