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The Five Senses by Sebastian Stoskopff

The Five Senses

Sebastian Stoskopff·1633

Historical Context

Sebastian Stoskopff painted The Five Senses in 1633, an elaborate still-life composition in which each of the five senses is represented by specific objects. The painting reflects the philosophical preoccupation with sensory experience that characterized 17th-century thought, from Descartes' epistemology to the empirical investigations of the Scientific Revolution. Stoskopff, trained in the Netherlandish still-life tradition, became one of the leading still-life painters in Alsace.

Technical Analysis

The painting arranges symbolic objects with meticulous attention to their material properties, from gleaming glass and metal to soft fabrics and delicate flowers. Stoskopff's precise rendering of reflections and textures demonstrates his mastery of trompe-l'oeil technique.

See It In Person

Musée des Beaux-Arts de Strasbourg

Strasbourg, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
114 × 186 cm
Era
Baroque
Style
German Baroque
Genre
Still Life
Location
Musée des Beaux-Arts de Strasbourg, Strasbourg
View on museum website →

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Great Vanity by Sebastian Stoskopff

Great Vanity

Sebastian Stoskopff·1641

Glasses in a Basket by Sebastian Stoskopff

Glasses in a Basket

Sebastian Stoskopff·1643

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Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612