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Coronation of the Virgin by Master of the Heisterbach Altar

Coronation of the Virgin

Master of the Heisterbach Altar·1410

Historical Context

The Master of the Fröndenberg Altar painted this Coronation of the Virgin around 1410 for a Westphalian church, now in the Cleveland Museum of Art. The Coronation of the Virgin was among the most popular subjects in both Northern and Southern European art, celebrating Mary's assumption into heaven and her crowning by Christ. This work belongs to the Early Renaissance, the transformative period in European art when painters first applied mathematical perspective, naturalistic figure modeling, and archaeological interest in antiquity to the inherited traditions of medieval devotional painting. The tension between Gothic grace and Renaissance structure gives art of this period a distinctive energy.

Technical Analysis

The panel displays the rich gold ground and jewel-like color typical of Westphalian International Gothic painting, with the celestial court arranged in a formal, symmetrical composition around the central coronation scene.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
64.8 × 47.5 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Cleveland Museum of Art, Cleveland
View on museum website →

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The Flagellation by Master of the Heisterbach Altar

The Flagellation

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Christ on the cross, Mary and the apostles Jacob, Peter, Andrew, Thomas and Bartholomew by Master of the Heisterbach Altar

Christ on the cross, Mary and the apostles Jacob, Peter, Andrew, Thomas and Bartholomew

Master of the Heisterbach Altar·1435

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