Martyrium des hl. Veit (Vorderseite); Christus vor Kaiphas (Rückseite)

The Master of the Legend of St. Vitus is the conventional label for a painter or workshop responsible for several panels depicting episodes from the martyrdom of Saint Vitus, and this double-sided panel — the Martyrdom of St. Vitus on the front, Christ before Caiaphas on the back — indicates it functioned as a processional panel or altarpiece wing that would be visible from both sides. The double-sided format was common in northern European altarpiece production, where the outer wings carried images visible when the altarpiece was closed, often depicting scenes from the Passion or figures in grisaille. The combination of Vitus's martyrdom and a Passion scene links the saint's death typologically to Christ's, a theological connection that altarpiece programmes frequently made explicit through such double-sided pairings.

The technical demands of a double-sided panel required careful preparation of the wooden support to prevent warping, and the painter would have worked the two faces with awareness of each other's weight distribution. The front Martyrdom likely employs the vivid narrative approach characteristic of late Bavarian panel painting; the Passion reverse may use a more intimate scale. Both sides would share the same wood grain and any movements in the support.