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An Allegory of Love by Paolo Schiavo

An Allegory of Love

Paolo Schiavo·1440

Historical Context

Paolo Schiavo's An Allegory of Love, painted around 1440 and now at the Yale University Art Gallery, is a rare example of secular allegorical painting by a Florentine master better known for religious works. Paolo Schiavo was a follower of Masaccio and worked in Florence in the generation that absorbed the revolutionary new pictorial language of the great early Renaissance masters. Allegorical depictions of Love — typically showing Cupid or allegorical female figures representing different aspects of erotic or conjugal love — were produced for the domestic interiors of wealthy Florentine households, often as cassone panels or spalliere.

Technical Analysis

Tempera on panel. The allegorical figures are rendered in Schiavo's characteristic style — influenced by Masaccio's volumetric gravity but applied to a secular, decorative context. The composition has the horizontal, frieze-like quality typical of furniture painting.

See It In Person

Yale University Art Gallery

New Haven, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Mythology
Location
Yale University Art Gallery, New Haven
View on museum website →

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Parts of a triptych: Annunciation and saints Jerome and Lawrence by Paolo Schiavo

Parts of a triptych: Annunciation and saints Jerome and Lawrence

Paolo Schiavo·1427

The Virgin of Humility by Paolo Schiavo

The Virgin of Humility

Paolo Schiavo·1440

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