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Cassone: The Story of Palaemon and Arcites from Boccaccio’s Teseida with a coat-of-arms (front); Putti bearing coat-of-arms (left side); Putti bearing coat-of-arms (right side) by Giovanni dal Ponte

Cassone: The Story of Palaemon and Arcites from Boccaccio’s Teseida with a coat-of-arms (front); Putti bearing coat-of-arms (left side); Putti bearing coat-of-arms (right side)

Giovanni dal Ponte·1425

Historical Context

Giovanni dal Ponte's cassone panels illustrating Boccaccio's Teseida were produced for a Florentine wedding, as the coats of arms on the side panels confirm. The Teseida — Boccaccio's chivalric epic about Palamon and Arcite competing for Emilia — was one of the most popular texts for cassone (wedding chest) decoration in Quattrocento Florence because its themes of courtly love, rivalry, and ultimate marriage resonated with the ceremony's context. Dal Ponte was one of the most active cassone painters of his generation, and these panels show his facility with continuous narrative across a long horizontal format.

Technical Analysis

Dal Ponte narrates multiple episodes from the Teseida in a continuous landscape scroll, setting figures in a shallow space against stylised trees and architecture. The heraldic side panels with putti are painted with a flatter, more decorative treatment than the narrative panels, appropriate to their subsidiary role.

See It In Person

Yale University Art Gallery

New Haven, United States

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Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Mythology
Location
Yale University Art Gallery, New Haven
View on museum website →

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Saint James Major and Resurrection, Saint John the Baptist and Crucifixion by Giovanni dal Ponte

Saint James Major and Resurrection, Saint John the Baptist and Crucifixion

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Enthroned Madonna and Child with Angels by Giovanni dal Ponte

Enthroned Madonna and Child with Angels

Giovanni dal Ponte·1416

Mary Magdalene Embracing the Cross  (verso, panel 2) by Giovanni dal Ponte

Mary Magdalene Embracing the Cross (verso, panel 2)

Giovanni dal Ponte·1419

Triptych of the coronation of the Virgin by Giovanni dal Ponte

Triptych of the coronation of the Virgin

Giovanni dal Ponte·1420

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