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Adoration of the Magi by Domenico Ghirlandaio

Adoration of the Magi

Domenico Ghirlandaio·1485

Historical Context

Domenico Ghirlandaio's Adoration of the Magi, painted around 1485 for the Ospedale degli Innocenti (Foundling Hospital) in Florence, is one of his finest altarpieces. The painting, still in the museum of the Innocenti, demonstrates Ghirlandaio's gift for orchestrating large groups of precisely characterized figures within elaborate architectural settings. The Innocenti, designed by Brunelleschi, was one of Florence's most important charitable institutions.

Technical Analysis

Ghirlandaio demonstrates his mastery of multi-figure composition with precisely observed individual portraits amid the elaborate Epiphany procession, using clear Florentine draftsmanship and rich color within a carefully constructed spatial setting.

See It In Person

Museo degli Innocenti

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Quick Facts

Medium
Oil paint
Dimensions
285 × 240 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Museo degli Innocenti,
View on museum website →

More by Domenico Ghirlandaio (Domenico Bigordi)

Portrait of a Man by Domenico Ghirlandaio (Domenico Bigordi)

Portrait of a Man

Domenico Ghirlandaio (Domenico Bigordi)·1469

Madonna and Child with Angels by Domenico Ghirlandaio

Madonna and Child with Angels

Domenico Ghirlandaio·1469

Lucrezia Tornabuoni by Domenico Ghirlandaio

Lucrezia Tornabuoni

Domenico Ghirlandaio·c. 1475

Madonna and Child by Domenico Ghirlandaio

Madonna and Child

Domenico Ghirlandaio·c. 1470/1475

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450