Hofer Altar: Auferstehung Christi (Rückseite: Apostel Bartholomäus und Jakobus)

This religious painting from 1465 by Hans Pleydenwurff reflects the fifteenth-century approach to sacred subjects, balancing theological orthodoxy with artistic innovation. Painted during the flourishing of the Early Renaissance, the work draws on centuries of iconographic tradition while expressing Hans Pleydenwurff's individual interpretation of the divine narrative. This was a period of intense artistic exchange across Europe, as Italian painters absorbed Netherlandish oil technique while Northern artists traveled to study Italian perspective and classical forms.

Tempera technique, reflecting earlier traditions, the religious composition demonstrates Hans Pleydenwurff's skilled technique and careful observation in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.