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Hl. Paulus Rückseite: Hl. Reinoldus by Conrad von Soest

Hl. Paulus Rückseite: Hl. Reinoldus

Conrad von Soest·1400

Historical Context

Conrad von Soest was the dominant painter in Westphalia around 1400 and one of the most refined exponents of the International Gothic style in Germany. This double-sided panel showing Saints Paul and Reinoldus on its respective faces suggests it functioned as a processional or moveable devotional object. Saint Reinoldus was the patron saint of Dortmund, connecting the panel to the civic religious culture of that city. Conrad's style synthesises the courtly elegance of the Burgundian International Gothic with a distinctly German emotional directness, visible in the simplified faces and concentrated figural presence.

Technical Analysis

Conrad works in the mixed technique of the early fifteenth century, with tempera and oil-based media combined over a chalk ground. Both surfaces of the panel preserve much of their original gilding, and the drapery rendering shows the characteristic broken, stylised folds of the International Gothic northern school. Punched and tooled haloes indicate high workshop quality.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
53.6 × 19.5 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

More by Conrad von Soest

Marienaltar by Conrad von Soest

Marienaltar

Conrad von Soest·1400

Nativity by Conrad von Soest

Nativity

Conrad von Soest·1404

Passionsaltar (Bad Wildungen) by Conrad von Soest

Passionsaltar (Bad Wildungen)

Conrad von Soest·1403

St Odilia from St Walburgis Church in Soest, wing of a tabernacle by Conrad von Soest

St Odilia from St Walburgis Church in Soest, wing of a tabernacle

Conrad von Soest·1415

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