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L'Annonciation, sainte Anne trinitaire, saint Antoine abbé by Bartholomäus Zeitblom

L'Annonciation, sainte Anne trinitaire, saint Antoine abbé

Bartholomäus Zeitblom·1487

Historical Context

This complex altarpiece panel in the Louvre, painted around 1487, combines three distinct devotional subjects: the Annunciation, Saint Anne as the Trinitarian figure of the extended Holy Family, and Saint Anthony Abbot. Bartholomäus Zeitblom was a major painter of Swabian Upper Germany, based in Ulm, and his altarpiece programmes reflect the sophisticated theological ambitions of late fifteenth-century South German patronage. The combination of subjects in one panel may reflect a specific chapel dedication or the personal devotions of the commissioning patron.

Technical Analysis

The multi-subject format requires Zeitblom to divide pictorial space among three distinct devotional scenes, a compositional challenge he resolves through architectural division or careful figure placement.

See It In Person

Department of Paintings of the Louvre

Paris, France

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Quick Facts

Medium
Oil paint
Dimensions
62.5 × 88.5 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Heimsuchung Mariens by Bartholomäus Zeitblom

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The Annunciation by Bartholomäus Zeitblom

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Bartholomäus Zeitblom·1496

The Descent of the Holy Spirit; Saints Agnes and Dorothy (on verso) by Bartholomäus Zeitblom

The Descent of the Holy Spirit; Saints Agnes and Dorothy (on verso)

Bartholomäus Zeitblom·1490

Die Heiligen Sebastian und Georg (?) by Bartholomäus Zeitblom

Die Heiligen Sebastian und Georg (?)

Bartholomäus Zeitblom·1490

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