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The Annunciation by Barthélemy d'Eyck

The Annunciation

Barthélemy d'Eyck·1443

Historical Context

Barthélemy d'Eyck created this work around 1443, now in the Église de la Madeleine. The Annunciation was one of the most frequently depicted scenes in Renaissance art, symbolizing the moment of the Incarnation and the beginning of human salvation. The Early Renaissance period saw significant artistic innovation across Europe, with painters developing new techniques for representing the visible world with unprecedented naturalism and spatial coherence.

Technical Analysis

The Annunciation composition typically divides the picture space between Gabriel and the Virgin, with architectural elements creating a measured spatial interval that conveys the sacred character of the encounter.

See It In Person

Église de la Madeleine

, France

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
155 × 190 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
Église de la Madeleine,
View on museum website →

More by Barthélemy d'Eyck

Portrait of a man by Barthélemy d'Eyck

Portrait of a man

Barthélemy d'Eyck·1456

Still Life with Books in a Niche by Barthélemy d'Eyck

Still Life with Books in a Niche

Barthélemy d'Eyck·1442

Christ on the Cross by Barthélemy d'Eyck

Christ on the Cross

Barthélemy d'Eyck·1445

Mary Magdalene by Barthélemy d'Eyck

Mary Magdalene

Barthélemy d'Eyck·1440

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450