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Saint Michael
Miguel Ximénez·1480
Historical Context
Miguel Ximénez's Saint Michael from the Prado represents the Aragonese school of late fifteenth-century Spanish painting, which developed under strong Flemish influence through the trade networks connecting the Crown of Aragon to Bruges and Antwerp. Michael — the archangel who defeats Satan in the Book of Revelation — was among the most visually compelling of all saints, offering painters the opportunity to depict celestial armor, dramatic combat, and demonic forms beneath the warrior-angel's feet. Ximénez's panel reflects the Spanish taste for brilliant color and heraldic precision in the rendering of armor and wings.
Technical Analysis
Saint Michael stands in shining armor, wings spread, with Satan or a dragon beneath his feet. Ximénez renders the armor with Flemish metalwork precision and uses vivid color — reds, golds, blues — for maximum heraldic impact. The wings are carefully feathered in layered gradations of color.

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