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Virgin and Child with an Angel by Cosimo Rosselli

Virgin and Child with an Angel

Cosimo Rosselli·1470

Historical Context

Cosimo Rosselli's Virgin and Child with an Angel, dated around 1470, belongs to his period of establishing an independent Florentine practice after his training in the workshops of Neri di Bicci and possibly Benozzo Gozzoli. Rosselli was a competent, commercially successful painter who worked for institutional and private patrons across Florence and Tuscany throughout his long career, eventually receiving the major Sistine Chapel commission in 1481. This early work shows the influence of the sweet, decorative register that Filippo Lippi had made fashionable and that Botticelli was simultaneously refining into something more emotionally charged — Rosselli's version sits closer to the workshop tradition than to the individual innovation of his more famous contemporaries. The single attendant angel is a space-filling device that also intensifies the devotional atmosphere.

Technical Analysis

Rosselli deploys the standard Florentine half-length format with a parapet in the foreground and a curtain or landscape glimpsed behind the figures. The angel's position to one side creates a gentle asymmetry that prevents the composition from becoming static. Flesh tones are warm with smooth blending, and the Virgin's blue mantle is executed in layered azurite with white highlights at the ridges.

See It In Person

Museum of Fine Arts Boston

Boston, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
73 × 45.4 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Museum of Fine Arts Boston, Boston
View on museum website →

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Madonna and Child with Angels by Cosimo Rosselli

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Madonna and Child with the Young Saint John the Baptist by Cosimo Rosselli

Madonna and Child with the Young Saint John the Baptist

Cosimo Rosselli·1490

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