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The Legend of Brutus and Portia by Jacopo da Sellaio

The Legend of Brutus and Portia

Jacopo da Sellaio·1485

Historical Context

The Legend of Brutus and Portia of around 1485, now in the Fine Arts Museums of San Francisco, belongs to the category of secular narrative panel painting — spalliera or cassone panels — that provided Florentine workshop painters an opportunity to explore classical Roman history as pictorial subject matter. The story of Brutus and his wife Portia, who swallowed burning coals to demonstrate she could endure the same pain as her husband, was valued as an example of feminine virtue and conjugal solidarity. Such classical virtue narratives were standard equipment in the decorative programs of aristocratic and merchant-class Florentine households of the later fifteenth century.

Technical Analysis

The horizontal frieze format typical of spalliera painting places the narrative's key moments across the canvas in sequential order, requiring a compositional approach different from the centralised devotional subjects that dominated Sellaio's other work. Figure scale and architectural staging are calibrated to the decorative domestic context rather than the intimate devotional one.

See It In Person

Fine Arts Museums of San Francisco

San Francisco, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Fine Arts Museums of San Francisco, San Francisco
View on museum website →

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Saint John the Baptist by Jacopo da Sellaio

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La Vierge et l'Enfant entre le petit saint Jean Baptiste et un ange by Jacopo da Sellaio

La Vierge et l'Enfant entre le petit saint Jean Baptiste et un ange

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La Vierge et l'Enfant by Jacopo da Sellaio

La Vierge et l'Enfant

Jacopo da Sellaio·1450

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