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Saint Francis by Sano di Pietro

Saint Francis

Sano di Pietro·1450

Historical Context

This Saint Francis at the Metropolitan Museum, dating to around 1450, depicts the founder of the Franciscan order who held special significance in Sienese religious life. The Franciscans were among Siena's most important religious orders, and Bernardino of Siena—whose miracle panels Sano di Pietro painted extensively—was a Franciscan friar. Francis is identified by the stigmata—the wounds of Christ miraculously received at La Verna—and typically depicted in his brown habit in a rocky landscape setting evoking the Umbrian mountains where he received divine grace. Sano's Francis was painted for a market saturated with Franciscan devotion following Bernardino's 1450 canonization.

Technical Analysis

The saint is rendered in the brown Franciscan habit with Sano di Pietro's characteristic precision and devotional warmth, the stigmata visible as testimony to Francis's mystical identification with Christ.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
24.1 × 22.2 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

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Madonna and Child with the Dead Christ, Saints Agnes and Catherine of Alexandria, and Two Angels by Sano di Pietro (Ansano di Pietro di Mencio)

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Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

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Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

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