The Annunciation
Sassetta·1435
Historical Context
Sassetta's Annunciation, painted around 1435 for the Metropolitan Museum, presents the angel Gabriel's message to the Virgin in a refined Sienese style that maintains the decorative tradition while absorbing new spatial innovations. The Annunciation was among the most frequently commissioned subjects in Italian devotional painting. Sassetta — Stefano di Giovanni — was the dominant painter in Siena during the first half of the fifteenth century, maintaining the city's Gothic tradition of refined spirituality and jewel-like color even as Florentine artists were developing the naturalistic revolution of the Early Renaissance.
Technical Analysis
The scene is set within a loggia with receding architectural elements that demonstrate Sassetta's engagement with perspective, while his characteristic luminous color and flowing linear style preserve the poetic quality of Sienese painting.
See It In Person
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