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Madonna and Child with Saints Philip and Agnes by Donato de' Bardi

Madonna and Child with Saints Philip and Agnes

Donato de' Bardi·1425

Historical Context

Donato de' Bardi's Madonna and Child with Saints Philip and Agnes, dated around 1425 and now in the Metropolitan Museum of Art, is a work by a Piacenza-born painter who worked primarily in Liguria, particularly Genoa, where he was active from the 1420s. De' Bardi represents the regional Ligurian school that absorbed influences from Lombardy and Tuscany while maintaining local characteristics. The saints flanking the Virgin — Philip the Apostle and Agnes the Roman martyr — suggest a commission related to their feast days or patron saints of the donors. The polyptych format was standard for Ligurian altarpiece production in this period.

Technical Analysis

De' Bardi employs gold grounds with the soft, rounded figure style of the northern Italian Gothic tradition, showing Lombard influence in the warm flesh tones and gentle modeling. The saints are characterized through their standard iconographic attributes with clear narrative legibility. The three-panel format creates a devotional symmetry centered on the Virgin and Child.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
59.1 × 14 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

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Crucifixion of Christ by Donato de' Bardi

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Saint Jerome, part of an altarpiece

Donato de' Bardi·1450

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