Virgin with Unicorn (Portrait of Caterina Corner as Allegory of Chastity)

This portrait, painted in 1460, reflects Dario di Giovanni's command of formal portraiture. The work reflects the social importance of commissioned portraits in the Early Renaissance, serving both as personal memento and public statement of status. This was a period of intense artistic exchange across Europe, as Italian painters absorbed Netherlandish oil technique while Northern artists traveled to study Italian perspective and classical forms.

Executed in Tempera on panel, the work showcases Dario di Giovanni's skilled technique, with particular attention to the interplay of light across the sitter's features. The handling of drapery and accessories demonstrates the skill expected of formal portraiture.