incoronazione della virgine tra angeli e santi

Bicci di Lorenzo was a prolific Florentine altarpiece painter of the early Quattrocento, the son of Lorenzo di Bicci and father of Neri di Bicci, representing three generations of Florentine workshop production. His Coronation of the Virgin, dated 1419, belongs to the period just after Masaccio's earliest surviving works and right before the major breakthrough of his Brancacci Chapel frescoes — but Bicci di Lorenzo worked entirely in the older tradition, serving clients who valued familiar devotional imagery over radical innovation. The Coronation subject — Mary crowned Queen of Heaven by Christ or the Trinity in the presence of saints and angels — was among the most theologically complex and compositionally ambitious Italian altarpiece types.

Bicci di Lorenzo's conservative style maintained gold grounds and decorative line-work through a period when Florentine painting was being transformed by perspective and naturalism. His Coronation uses the hierarchical arrangement of the traditional type: the central coronation scene elevated, with saints distributed in lateral panels, the color scheme of deep blue and red creating strong devotional impact.