madonna col bambino, angeli e i santi andrea e lorenzo
Agnolo Gaddi·1390
Historical Context
Agnolo Gaddi, son and pupil of Taddeo Gaddi and artistic grandson of Giotto, represents the final generation of the Giottesque tradition in Florence. This Madonna with Child, Angels, and Saints Andrew and Lawrence at Santa Caterina delle Ruote exemplifies late Trecento Florentine altarpiece production, combining traditional sacra conversazione composition with increasingly decorative surface treatment. Agnolo's work bridges the gap between Giotto's monumental naturalism and the ornamental elegance of the emerging International Gothic style.
Technical Analysis
Painted in egg tempera on gold ground panel, the altarpiece displays Agnolo Gaddi's characteristic bright palette and decorative approach to drapery. The figures show solid Giottesque modeling softened by more elegant proportions and richer surface ornamentation than his father's generation employed.






