Portrait of a man

This portrait of a man, around 1430, in the Gemäldegalerie Berlin, exemplifies van Eyck's revolutionary approach to portraiture. His technique of layered oil glazes created an unprecedented illusion of living flesh, establishing a standard for portrait painting that influenced generations Jan van Eyck perfected the Flemish oil technique, achieving a microscopic precision and luminosity that made Northern European painting a revelation to Italian contemporaries.

The sitter's face is modeled with extraordinary subtlety, the layered oil glazes creating translucent flesh tones that suggest blood beneath the skin. The three-quarter pose and penetrating gaze establish intimate psychological contact with the viewer.