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Battle of the Amazons by Anselm Feuerbach

Battle of the Amazons

Anselm Feuerbach·1870

Historical Context

Feuerbach's 'Battle of the Amazons' of 1870, now in the Germanisches Nationalmuseum in Nuremberg, is among his most ambitious multi-figure compositions, painted at a moment of intense activity and personal frustration. In 1870 Feuerbach submitted a proposal for decorative ceiling paintings for the Vienna Academy of Fine Arts, where he had been appointed professor; the large-scale battle composition reflects his ambitions for monumental history painting. The Amazon battle was one of the great subjects of classical Greek art — the Amazonomachy, battle between Greeks and Amazons, decorated the metopes of the Parthenon and the shield of the Athena Parthenos — and carried resonances of civilization defeating barbarism in the Greek self-understanding. Feuerbach approached the subject through his characteristic lens of classical decorum and melancholy beauty: his Amazons are not savage opponents but tragic figures whose defeat carries the pathos of noble courage overcome.

Technical Analysis

Multi-figure battle compositions present the most demanding organizational challenges in painting: the interaction of many bodies in violent action must be simultaneously legible and dynamic. Feuerbach organizes such compositions through clear tonal contrasts and spatial layering, drawing on his.

Look Closer

  • ◆Individual figures within the battle are treated with sculptural precision — compare to the Elgin Marbles'.
  • ◆The composition likely reads across the canvas in a frieze-like manner, reflecting Feuerbach's study of ancient.
  • ◆The Amazon warriors' bodies combine physical power with the melancholy beauty Feuerbach consistently brought to.
  • ◆Horsemen, if present in the composition, provide vertical elements that break up the horizontal battle line and.

See It In Person

Germanisches Nationalmuseum

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Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Romanticism
Genre
History
Location
Germanisches Nationalmuseum,
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