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Love Animating Galatea, the Statue of Pygmalion
Henry Howard·ca. 1802
Historical Context
Henry Howard's Love Animating Galatea depicts the moment when Pygmalion's beloved sculpture comes to life through the power of Venus, a subject from Ovid's Metamorphoses that was popular in Neoclassical art. Howard was a prominent member of the Royal Academy and served as its Professor of Painting, producing classical subjects in the manner of his teacher Henry Fuseli. The Pygmalion myth had special resonance for artists as an allegory of art's transformative power.
Technical Analysis
Howard's oil-on-canvas technique demonstrates the smooth, idealized figure style of British Neoclassical painting, with clear drawing and restrained coloring. The composition arranges the classical figures with the academic clarity taught at the Royal Academy.
See It In Person
Victoria and Albert Museum
London, United Kingdom
Gallery: British Galleries, Room 120, The Wolfson Galleries
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