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Love Animating Galatea, the Statue of Pygmalion by Henry Howard

Love Animating Galatea, the Statue of Pygmalion

Henry Howard·ca. 1802

Historical Context

Henry Howard's Love Animating Galatea depicts the moment when Pygmalion's beloved sculpture comes to life through the power of Venus, a subject from Ovid's Metamorphoses that was popular in Neoclassical art. Howard was a prominent member of the Royal Academy and served as its Professor of Painting, producing classical subjects in the manner of his teacher Henry Fuseli. The Pygmalion myth had special resonance for artists as an allegory of art's transformative power.

Technical Analysis

Howard's oil-on-canvas technique demonstrates the smooth, idealized figure style of British Neoclassical painting, with clear drawing and restrained coloring. The composition arranges the classical figures with the academic clarity taught at the Royal Academy.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: British Galleries, Room 120, The Wolfson Galleries

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Neoclassicism
Style
British Neoclassicism
Genre
Mythology
Location
Victoria and Albert Museum, London
Gallery
British Galleries, Room 120, The Wolfson Galleries
View on museum website →

More by Henry Howard

Sabrina by Henry Howard

Sabrina

Henry Howard·ca. 1821

Peasants of Subiaco returning from the vineyard on a holiday by Henry Howard

Peasants of Subiaco returning from the vineyard on a holiday

Henry Howard·ca. 1808

The Apotheosis of Princess Charlotte Augusta, Princess of Wales (1796-1817) by Henry Howard

The Apotheosis of Princess Charlotte Augusta, Princess of Wales (1796-1817)

Henry Howard·1818

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