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Sabrina by Henry Howard

Sabrina

Henry Howard·ca. 1821

Historical Context

Henry Howard's Sabrina from around 1821 depicts the water nymph from John Milton's masque Comus, a subject that combined classical mythology with England's greatest literary tradition. Howard, who served as Professor of Painting at the Royal Academy, specialized in mythological and literary subjects that demonstrated the classical ideals he taught. His treatments of Miltonic subjects reflect the continued vitality of the Grand Manner tradition in English painting.

Technical Analysis

Howard's oil-on-canvas technique demonstrates the smooth, idealized figure painting of the British academic tradition with classical composition and restrained coloring. The graceful, Neoclassical treatment of the nymph figure reflects his commitment to the ideal beauty promoted by the Royal Academy.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: In Store

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Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Mythology
Location
Victoria and Albert Museum, London
Gallery
In Store
View on museum website →

More by Henry Howard

Love Animating Galatea, the Statue of Pygmalion by Henry Howard

Love Animating Galatea, the Statue of Pygmalion

Henry Howard·ca. 1802

Peasants of Subiaco returning from the vineyard on a holiday by Henry Howard

Peasants of Subiaco returning from the vineyard on a holiday

Henry Howard·ca. 1808

The Apotheosis of Princess Charlotte Augusta, Princess of Wales (1796-1817) by Henry Howard

The Apotheosis of Princess Charlotte Augusta, Princess of Wales (1796-1817)

Henry Howard·1818

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Portrait of Emmanuel Rio

Albert Schindler·1836